Digital radio platforms must get a statutory license from SoundExchange to use licensed music, and recording artists, labels, and session musicians must register with SoundExchange to collect digital performance royalties. Like the master use license, any TV show, movie, commercial or video game requires a synchronization (sync for short) license to put the com-position alongside their picture. Cody Carnes Releases "Nothing Else" (Live at Passion Conference) 5/9/19. So if you cowrite with anyone, first make sure they are not signed to a publishing company (if they are, it makes things very difficult and will almost certainly prevent a sync agent from working with you or repping that song). This is the most comprehensive and accurate digital distribution review comparison piece on the web. TikTok is one of the fastest growing social media platforms this year. A 2015 Berklee College of Music report found that anywhere from 20% to 50% of music payments do not make it to their rightful owners. You can either choose to register online or using the traditional paper form application. Next, you'll want to register your releases through services like Tunecore. They have paid out over a billion dollars in 2018. As of mid-2019, Facebook required creators to have at least 10,000 Page Likes, at least 30,000 one-minute views in the past 60 days, a Page in good standing, and to be based in a country that is supported by Facebook monetization. SoundExchange collects royalties for ALL sound recordings played on non-interactive digital radio. Admin publishing companies have started popping up over the past few years to help unrepped songwriters (like you and me) collect all the royalties out there from around the world. Lobbying from the recording industry But if they don’t, you have to get a license via HFA’s Songfile, Easy Song Licensing or Loudr. You cannot be a. member your country and pick one and sign up. Record labels represent artists. +Register for SoundExchange here. You can make money off of any video that uses your sound recording (whether you uploaded the video or not) if you allow YouTube and Facebook to put ads on the video (they call it “monetize”). But if you’re repped by a label and a publisher, the supe (that’s short for music supervisor) will go to your label and pay for a master use license and then to your publisher and pay for license. Stem vs. Amuse What is the Best Digital Distribution Company? However, in the world of satellite radio, like SiriusXM, SoundExchange monitors their plays and allocates the money to recording artists accordingly. This can actually be a pretty good chunk of change. What if there is more than one artist or a guest artist who performed on a song? “Non-interactive” means you can’t choose your song. Cody Carnes Releases "Nothing Else" (Live at Passion Conference) 5/9/19. However, even in the United States, registering a label is no walk in the park. SoundExchange has started to offer discounts to conferences and equipment exclusively for our members. You should register with your country’s neighbouring rights organization. So, just to clarify, here is a breakdown for the royalties artists and labels earn (and how to get them): If you played on a record as a session musician and that record was, released by a label registered with AFM & SAG-AFTR A, you are enti, tled to various royalties (not just from SoundExchange). If any company charges you up front for these services it’s a scam. +Songwriters! I’ve heard of amounts in the hundreds of thousands of dollars. Make a copy of your song. Register your songs and collect worldwide publishing royalties for your music. Collectively, streaming makes up 79% of all recorded music revenue (according to the RIAA’s 2019 Year End report). The sample data is then loaded into ASCAP’s Audio Performance Management system where it is (mostly) electronically matched to the works in the ASCAP database. SoundExchange maintains four lists that reflect different statuses for each music creator for which we have collected unclaimed royalties. HOWEVER, If you sign up for an admin publishing company (like Songtrust, Sentric CD Baby Pro or Tunecore Publishing), they will collect your publishing money from your PRO, take their commission (15-20%), and pay you out the rest. SESAC is not an acronym. When your music is played on non-interactive services, such as Pandora or SiriusXM, you are due a digital performance royalty. These organizations represent songwriters, not artists. Like the PROs, the outlets pay an annual fee for the blanket license. But you don’t need to sign up with HFA to collect mechanical royalties. This video shares what information you will need to register and collect royalties from SoundExchange. To not get into too much history, and really just cut to the chase, before the digital age, royalties were difficult to track, but there were fewer platforms to consume music, so there were far fewer royalty streams to worry about. When that same movie is played in a movie theater, those songs do not earn royalties. Mechanical royalties are earned when a song is streamed, downloaded or purchased (like a CD or vinyl). If the same song appears more than once on your detailed statement, it is simply the result of an instance of unique reporting by individual webcasters. ASCAP states that they supplement this data with station logs and other technology vendors and methods that capture ads, promos and themes, and background music. If the artist/producer in the above example has his/her song listed in any of broadcasting mediums monitored by Soundexchange, then the artist/producer can earn royalties from the sound recording performance. This is just how they do it for everyone from Taylor Swift down to you and me. Just because your first song received 25 streams on Youtube, all of them from your friends and family, doesn’t mean you won’t one day be in the thousands. It’s a long process and you have to submit a full catalog list. The U.S. law states that once the song has been publicly released, anyone can cover it, without permission from the copy-right owner as long as they get a compulsory mechanical license for the song. +CD Baby, Tunecore, DistroKid, Ditto, Loudr, MondoTunes, Symphonic, ReverbNation or…. ASCAP, BMI and SESAC collect and distribute royalties for the songwriter, composer and publisher. If you have a bit more clout, you should look into more exclusive companies like Kobalt, PEN, Riptide and Secret Road. Immediately, this feature proved to … I won’t be getting paid for this (unless ASCAP happened to be running a sample of NPR at that exact moment). We use cookies to analyze traffic, track and improve your experience. SoundExchange collects digital performance royalties generated by master recordings on behalf of master owners and performers. SoundExchange, on the other hand, collects and distributes royalties for featured recording artists and sound recording master rights owners (i.e. “Noninteractive” means you can’t choose your song. If you continue to use this site we will assume that you are happy with it. Rihanna is an artist. SoundExchange offers a monthly royalty payment program for 1) those that are signed up to receive electronic payments, 2) and have royalties due of at least $100.Artists and labels that do not meet the minimum monthly threshold will continue to be paid on our regular, quarterly schedule (March, June, September, and December) under the organization’s existing guidelines. Only recently have YouTube, Facebook and Instagram officially struck deals with all the major (and most of the indie) publishers to officially allow cover videos on their platforms. We do not register your music with any of the above. These days, most music supervisors (the people who place the music), will just pay you (an indie artist) a bulk amount for both the master use license and the sync license (because most indie artists wrote and recorded the song). If you are both the performer (artist) and the owner of the sound recording (meaning you don’t have a record label), simply select “Both” on the second page of the registration when it asks you to select: Performer, Sound Recording Copyright Owner or Both. “Diamonds” was written by four songwriters: Sia Furler, Benjamin Levin, Mikkel S. Eriksen, and Tor Erik Hermansen. When I did this, I had to email in a complicated Excel doc with lots of info. I recently heard that an opener of a big arena tour in Europe playing just four songs a night was making about £9,000 (about $11,000) per night in performance royalties! They don’t work to get you the $200,000 Verizon commercial spot, they’re soliciting wedding photographers to pay $60 to license your song in their personal use wedding video. This can help you bring in some extra dough. If you don’t register a publishing company, you will only get half of your money. But interactive (meaning you choose the song) streaming revenue (like from Spotify, Apple Music, Deezer, Tidal) goes to the artist/label. I registered, but I haven’t received any money yet. - 5%; Which PRO to join - ASCAP vs. BMI vs. SESAC vs. SoundExchange Alternatively, companies such as SoundExchange can provide this information online. Do I Register Arrangements as "Classical"? If you are an unaffiliated songwriter with BMI, you don’t need to register a vanity publishing company. SoundExchange is authorized by regulation to release older, unclaimed royalties to offset our costs. They also issue “mechanical licenses.” You can’t sign up for HFA unless you are a publisher and have songs released by a third-party label (not self-released). Featured artists are receiving direct payments from SoundExchange. There are certain housekeeping things that a musician needs to do and registering with SoundExchange is definitely one of them! Distribute your song to the most popular download & streaming platforms, including Spotify, Apple Music, and many more; Facilitate rights splits and pay multiple collaborators at no extra cost ; License your cover songs on Soundrop. If they believe in your music, they will pitch you and work solely on commission. Royalties for non-featured artists are covered by organizations such as the American Federation of Musicians (AFM) and the Screen Actors Guild and American Federation of Television and Radio Artists (SAG-AFTRA). They also have a sync licensing department, an A&R department and many other departments. A featured artist is an artist that is prominently featured on a track or album. GET STARTED NOW. Streaming Outlets. Make sure YOU are registered with SoundExchange. And many of us use these terms inter-changeably. Some admin publishing companies (like Sentric) will register your setlists with the PROs in the regions you tour—but you must ask about this. You made it! You can register with Sound-exchange ( for those niche digital performance royalties). The PROs collect digital, terrestrial (AM and FM radio) and live royalties.The way the copyright law is currently written in the United States, AM/FM radio has to pay only composition performance royalties and not sound-recording royalties. These are organizations that collect performance royalties (not mechanical royalties—we’ll get to those in a bit). And make sure you get in writing (email is fine), that you have full rights to the song to license without getting permission from your cowriters. Only official editions of the Federal Register provide legal notice to the public and judicial notice to the courts under 44 U.S.C . Over 110,000 artists and rights owners (labels) are registered with SoundExchange and they have paid out over $3 billion since inception. SoundExchange takes great care to ensure that royalties are distributed to the correct person(s). Sound recordings are not to be confused with compositions. How do you make sure you register your work properly and obtain all of the royalties that are rightfully owed to you? This is the song. These kinds of companies are definitely worth looking into. Worship leader and songwriter Cody Carnes has released a brand new song "Nothing Else" available now. I checked. Cookie Notice. The first thing that most young songwriters in the US hear is “you need to sign up for ASCAP or BMI to make sure you get your songwriter royalties.” I have to hand it to ASCAP and BMI’s PR departments. I Registered My Songs Awhile ago, so why are they still not Appearing in SOCAN’s Repertoire Search? HFA calculates, collects and pays mechanical royalties. You-Tube splits the ad revenue 45%/55% in your favor. Technically, so does YouTube, Facebook and Instagram. Literally any public place that has music (live or recorded) needs a license from a PRO to be able to legally play music in their establishment. I also give information on who SoundExchange is, who they collect royalties from and why you should join. What is that? In Canada this is Re:Sound. They pride themselves on getting the most amount of money for their very few clients. 50/50. Maximize your revenue through foreign royalty collections. How Soundrop cover-song licensing works. DOWNLOAD NOW. But these can add up. Traditionally, publishing companies (because they own the composition and represent songwriters) collect royalties for compositions. If you’ve already registered with SoundExchange, you will continue to collect your digital performance royalties directly. In the U.K., the organization that does this is PPL. TV shows, movies, commercials, video games, all need a sync license to legally put a song alongside their picture. If your co-writer registered the work with ASCAP, there is no need to register the song again – though it is a good idea to check with your co-writer to ensure that he/she registered it properly. If you’ve ever played on a recording as a hired gun, you are entitled to more than just the check you got for the... On Thursday, July 16th, in a brave act of solidarity and dissent against their employer, black musicians penned an open letter to the founder... We use cookies to ensure that we give you the best experience on our website. So, you don’t need to register a vanity publishing company (if you’re with ASCAP) or register it as an LLC or open a bank account. Neighbouring rights are similar to what SoundExchange administers and collects (sound recording performance royalties for artists and labels); however, they also collect royalties from music played on terrestrial radio, television, in bars, jukeboxes and everywhere else in the physical world. You have to choose. That was for hanging out at a (fake) barbecue holding a can of Lime-A-Rita and laughing on cue a lot. It’s November 14, 2019 and I have discovered a major flaw with Sound Exchange. Worth noting, in the United States, Canada and Mexico mechanical royalties get passed on to the label/distributor from iTunes; however, nearly everywhere else in the world, mechanicals get collected by local collections agencies before the money gets to your distributor. Admin publishing companies like Songtrust, CD Baby, TuneCore, Kobalt, Sentric and Audiam will collect mechanical royalties for you if you sign up for their admin publishing programs. Bookmark this page so you can reference it. If your music (with vocals) gets on a SAG-AFTR A union commercial you can also earn these royalties. Artists and record labels are not compensated when their creative works are used by traditional radio. With some exceptions (mostly political) SONGWRITERS do not receive digital statutory royalties in sound recordings (SoundExchange) unless they also recorded the song with their vocals. Some will take a commission of your backend PRO royalties and some will not. If you collaborate with another artist and they are featured on a recording, SoundExchange would treat that as a 50/50 collaboration unless directed otherwise by the two collaborators. You may never allow anyone else to use your Account (except your parents or legal guardian). BMI also uses sampling. Of course if a coffee shop has the AM/FM radio playing, and if you’re with ASCAP, you (most likely) won’t get paid when your song is played there, because ASCAP most likely won’t be conducting a survey of that radio station at that exact moment, but if the shop has Pandora or SiriusXM on (or other piped-in Muzak services), this is tracked and you will (eventually) get paid on the plays. Email* Please note - you must use the primary email address associated with your SoundExchange account. In terms of recording artists, anyone that is a member of a band or featured artist in general should register with SoundExchange. Hundreds of artists, thousands of other companies and record labels are working with SoundExchange to fight for your performance rights. The statutory license was created as a benefit for service providers to ease the process of operation and allow open access to musicians’ full catalog of creative work. A singer is an artist. HFA handles U.S. mechanical royalties. This is part of the reason why so many established artists and songwriters have jumped ship from their major labels (and major publishers) and headed over to independent entities. Ok, yeah, that was a helluva lot of information. Why 45% and not 50%? Any time your song is played in public it generates a performance royalty for the underlying composition, and as the songwriter for that composition, you’re entitled to the performance royalty. Go at your own pace that you’re comfortable with. I registered 217 songs, some from the 1990’s up to a few days ago as well. How to register record label in 13 steps. In the fourth quarter of 2013, SoundExchange paid out a total of $9.3 million to its registered members in the form of what they described as a “refund of administrative fees.” Again, companies like Songtrust, Sentric, CD Baby, TuneCore and Audiam are some admin publishing companies who will do this. Here's how to add music to TikTok and get yourself heard. In order to have a chance at making the Airplay music charts, any release must be registered AND uploaded as stripped files to BDSradio. We recommend signing up with both Songtrust and SoundExchange - here's why. +How To Legally Release Cover Songs (with images). This is not a deal you negotiate. And I’m going to get shit for it. Broadcast Music, Inc. represents over 800,000 members (songwriters and publishers) and over 10.5 million compositions. So it’s super important that you register your setlists with your PRO. “Admin” stands for “administration.” All publishing companies have an admin department. Dollars, baby! Contrary to popular belief there is money in streaming. How to Get Paid: Directly from the TV studio, ad agency (for a commercial), production company (for a movie or trailer), or game company. How To Get Paid: Your distribution companyBut, remember, if a fan downloads your music on Bandcamp, you get a check directly from Bandcamp because Bandcamp is a self-managed (as in you manage it yourself ) store. In order to receive a quarterly payment, you must have accrued at least $10 ($100 for a paper check) in royalties before a scheduled distribution. For indie artists without a label or a publisher, you have to know what these royalties are and know where and how to get them. We keep it simple for you, so you can get back to making music. A lot of people confuse SoundExchange with PROs because technically SoundExchange is a performing rights organization. You can go to this URL to register. They represent songwriters like Bob Dylan, Neil Diamond, Rush, Zac Brown, Hillary Scott of Lady Antebellum, the Avett Brothers, Shirley Caesar, Paul Shaffer and one-half of Thompson Square. If you want to start earning from your Facebook videos, signup for Facebook for Creators. CD Baby vs. Tunecore vs. DistroKid vs. Ditto vs. Symphonic vs. AWAL vs. Some call this the “master.” It’s the actual recording. It’s best to get someone they trust to refer you (like another artist on their roster, a manager or lawyer). Our Cookie Notice provides more information and explains how to amend your cookie settings. 733 10th Street NW 10th Floor Washington, D.C. 20001, senior vice president, global public policy. ASCAP also runs a separate survey of the 300 top-grossing tours of each year, according to Pollstar. Like the PROs, SoundExchange issues blanket licenses to digital radio (noninteractive) platforms (like Pandora and SiriusXM) which gives these outlets the ability to play any song they represent. You (as a songwriter) can only sign up for one PRO. There are lots of different kinds of streaming revenue. Enjoy and don’t forget to share if this information is helpful to you! This is an excerpt from my book How To Make it in the New Music Business. 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